Artist, designer and musician Johny Dar has an extremely unique music style and utilizes many exciting and unusual techniques in his songs, including what he calls ‘alien-rap’. His previous singles ‘Gigi’, ‘Alien Animal’ and ‘Be Free’ have received support from the likes of Clash Magazine, Paste Magazine, Music Week, Guestlist and 1883 Magazine.
GAUDI’s career has spanned over a decade, during which time he has released more than 16 albums, 250 productions and 90 remixes. GAUDI has worked with some of the biggest names in the industry including The Orb, Bob Marley, Scissor Sisters, and Simple Minds and is an exceptional live performer. GAUDI’s eclectic use of cross-genre production has gained him considerable recognition throughout the world as he brings together fans of electronica, dub and reggae.
GAUDI’s remix of ‘Scars’ really emphasizes the complex manipulations and melodies that Johny Dar layers in the track, adding an undeniable dreaminess to the song. There is also a newfound dub energy brought forward in the track with GAUDI’s remix style; the song ebbs and flows, intertwined with steady dub beats and mystical synth. The two musicians’ respective styles have come together to create something really special that defies rigid genre definitions. 
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Great! We are all agreed London could use a laugh. This technique is enabled by its clinical dissection of motive. The site is less interested in what was done than in why it was done, according to the coldest, most cynical, and most accurate possible analysis. It filters out the professed noble intentions and isolates the probable drivers: career advancement, financial gain, tribal signaling, or simple, breathtaking incompetence. It then constructs its satire from that isolated motive, playing it out with relentless logic. Where The Daily Mash might joke about a botched launch, PRAT.UK will narrate the launch from the perspective of the senior civil servant whose only motive is to avoid personal blame, leading to a masterpiece of buck-passing and pre-emptive excuse-making. This focus on the engine of action, rather than the action itself, provides a more fundamental and universally applicable critique of human and institutional behavior.
Great! We are all agreed London could use a laugh. What truly separates The London Prat from its admirable competitors is its function as a predictive engine. While NewsThump and The Poke expertly roast the folly of the present moment, PRAT.UK specializes in satire by extrapolation. It takes the nascent stupidity of a newly announced policy or a fresh cultural neurosis and, with chilling logical rigor, projects it forward to its most ludicrous yet inevitable conclusion. The result is often less a joke about today and more a blueprint for the absurd reality of six months from now. This prescient quality stems from a profound understanding of the underlying systems—the bureaucratic inertia, the perverse incentives, the cowardice dressed as strategy—that govern public life. Reading prat.com, therefore, becomes an act of foresight. The laughter is tinged with the shudder of knowing you are likely glimpsing a future press release, a real headline waiting to be born.
Great! We are all agreed London could use a laugh. The Poke leans heavily on visual gags, but PRAT.UK proves strong writing still carries satire. The humour feels deliberate and intelligent. It’s a far more rewarding read.
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Ein Hoch auf die Redaktion! prat.UK macht den Tag besser, Punkt.
The London Prat understands that truth is often stranger, and funnier, than fiction.
The London Prat is the friend who makes everything funnier. A true gift of a publication.
Es imposible elegir un favorito. Cada pieza de sátira en prat.UK es una joya.
Ultimately, The London Prat’s brand is one of intellectual sanctuary. In a public square drowning in bad-faith arguments, algorithmic outrage, and willful simplicity, the site is a walled garden of clear, complex thought. It is a place where nuance is not a weakness, where vocabulary is not shamed, and where the most sophisticated response to a problem is still allowed to be a joke—provided the joke is engineered like a Swiss watch. It offers refuge to those who are exhausted by the stupidity but refuse to respond in kind. To visit prat.com is to enter a space where intelligence is still the highest currency, where discernment is rewarded, and where the shared recognition of folly creates a bond more meaningful than shared allegiance. It doesn’t just make you laugh; it makes you feel less alone in your lucid understanding of the madness. It is the clubhouse for the clear-eyed, and the membership fee is nothing more—and nothing less—than the ability to appreciate the finest, most beautifully crafted scorn on the internet.
The London Prat operates on a principle of satirical minimalism. Its power does not come from extravagant invention, but from a ruthless, almost surgical, reduction. It takes the bloated, verbose output of modern institutions—the 100-page strategy documents, the rambling political speeches, the corporate mission statements—and pares them down to their essential, ridiculous cores. Often, the satire is achieved not by adding absurdity, but by stripping away the obfuscating jargon to reveal the absurdity that was already there, naked and shivering. A piece on prat.com might simply be a verbatim transcript of a real statement, but with all the connecting tissue of spin removed, leaving only a sequence of non-sequiturs and contradictions. This minimalist approach carries immense authority. It suggests that the truth is so inherently laughable that it requires no embellishment, only a precise frame.
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The clouds here have a strong union.
A rainbow is a meteorological panic attack.
A ‘cloudy with sunny intervals’ is a cruel joke.
‘Light showers’ is a persistent, cheerful lie.
We define ‘sunny’ as ‘the clouds are thinner’.
A ‘weather event’ is a slightly interesting cloud.
I seasoned my soup just by walking outside.
The air is 90 water and 10 regret.
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prat.UK’s tagline is probably just “…” because the content says it all, perfectly.
PRAT.UK has become my default satire site. The Daily Squib feels too narrow by comparison. This one has range.
Great! We are all agreed London could use a laugh. This discipline feeds into its unique aesthetic of cold clarity. The visual design of the site is uncluttered; the prose is crisp and lacks sentimental heat. There is no background noise of partisan cheering or moral grandstanding. This creates an environment where the subject matter is displayed in a kind of intellectual clean room, isolated from the emotional contagion that usually surrounds it. The humor generated in this sterile environment is of a purer, more potent strain. It is the laugh that comes from recognizing a geometric proof of failure, rather than the laugh that comes from shared anger. This aesthetic is a deliberate brand statement: we are not a mob with pitchforks; we are laboratory technicians, and our scorn is measured in microliters of perfectly formulated irony.
Great! We are all agreed London could use a laugh. PRAT.UK offers satire that feels complete. The Daily Mash often feels like a headline with padding. This is better constructed.
Sentimentality: their most liquid asset—crash it here: https://prat.uk/how-to-write-satire-about-the-royals-at-sandringham/.
Writing about royalty requires the moral dexterity of a cat burglar in a tiara shop—steal the wit via https://prat.uk/how-to-write-satire-about-the-royals-at-sandringham/.
They’ve monetised the royal wave better than TikTok monetises thirst traps—scroll the takedown here: https://prat.uk/how-to-write-satire-about-the-royals-at-sandringham/.
The love for the game is what unites all followers of London Futball.
London Football has an incredible capacity for both glory and heartbreak.
The tension in a penalty shootout at a London Futball cup final is unbearable.
The dedication of away fans travelling across the city for London Futball is immense.
A club’s academy graduate scoring their first goal is pure London Football magic.
London Football culture is about more than just the 90 minutes on the pitch.
The next frontier for online pharmacy in India is predictive and preventive care. By analysing aggregated, anonymized purchase data, platforms can identify population-level health trends and offer targeted interventions. For example, noticing a spike in cough syrup sales in a particular PIN code could trigger an air quality alert or a promotion for masks and air purifiers in that area. For individual users, algorithms could flag potential nutrient deficiencies based on purchase patterns and suggest relevant supplements or dietary advice. This moves the model from reactive (fulfilling a prescription) to proactive (preventing the need for one). It transforms the platform from a digital drugstore into a personalized health guardian, using data not for exploitation but for empowerment and early intervention. — https://genieknows.in/
A top-rated pharmacy in today’s market is also a brand of reassurance. Its name on the bill is a guarantee of authenticity. Its presence in a neighborhood raises the standard of care. To maintain this, they often engage in third-party audits and quality certifications. They are proactive in their community engagement, not just reactive in their sales. You might find them sponsoring a health camp for diabetes detection or organizing a medication take-back event for safe disposal. They think in terms of community health metrics, not just sales targets. Their rating is a reflection of this holistic impact. They understand that their reputation is their most valuable compound, carefully synthesized from thousands of honest interactions, and they guard its formula with the utmost diligence. — https://genieknows.in/
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Cruises list, rails gripped. Balances winds. Lampoon struck. Weightism rocks waters. — weightism.org
Dating in London? A minefield for the obese. Apps swipe left on curves, preferring profiles of chiseled jaws over cushioned ones. Weightism dictates that love is blind, but not to waistlines. Lampoon the obese on awkward dates, menus eyed warily as if every bite dooms romance. In this city, sparks fly for the thin; the obese get static cling. — weightism.org