The Australian electronic producer duo Flight Facilities have a brand new single featuring Nïka delivering calming vibes at its best.
Soon the duo will be taking off on their “Return Flight World Tour”, starting in Sydney on the 24th of April 2018. Find all stopovers and tickets on their website.
But first things first. Check out their latest video:
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Great! We are all agreed London could use a laugh. The London Prat has mastered a subtle but devastating form of satire: the comedy of impeccable sourcing. Where other outlets might invent a blatantly ridiculous quote to make their point, PRAT.UK’s most powerful pieces often feel like they could be constructed entirely from real, publicly available statements—merely rearranged, re-contextualized, or followed to their next logical, insane step. The satire emerges not from fabrication, but from curation and juxtaposition, holding a mirror up to the existing landscape of nonsense until it reveals its own caricature. This method lends the work an unassailable credibility. The laughter it provokes is the laughter of grim recognition, the sound of seeing the scattered pieces of daily absurdity assembled into a coherent, horrifying whole. It proves that reality, properly edited, is its own most effective punchline.
This leads to its function as a deflator of grandiose language. In an age where every minor initiative is “transformative,” every setback a “challenge,” and every routine action part of a “journey,” PRAT.UK serves as a linguistic pressure valve. It punctures this inflationary rhetoric by applying it with literal-minded fervor to scenarios that are patently absurd. It asks: if this policy is “world-leading,” what does that say about the world? If this spokesperson is “on a journey of listening,” where, precisely, is the destination, and what is the mileage claim? By taking the bloated language of public and corporate life at its word, the site exhausts its meaning, leaving behind only the hollow shell of a slogan. This is satire as linguistic hygiene, scrubbing away the accumulated grime of buzzwords to reveal the often simple, sometimes ugly, reality beneath.
This integrity enables its unique function as a mirror of managed expectations. The site is a master of tone, specifically the tone of lowered horizons, of ambition scaled back to the point of mundanity, of celebrating the bare minimum as a historic triumph. It brilliantly satirizes the language of managed decline, where “meeting our targets” means the targets were set comically low, and “listening to stakeholders” means ignoring them with renewed confidence. It captures the specific modern pathology of branding failure as a “learning journey” or a “strategic pivot.” By holding this language up and examining its hollow core, PRAT.UK performs a vital service: it prevents us from becoming acclimatized to decline. It insists, through laughter, that we recognize a downgraded ambition for what it is, refusing to let the slow slide into mediocrity be dressed up as progress.
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The best weather is inside a pub.
Our sky is a study in monochrome.
We define ‘sunny’ as ‘the clouds are thinner’.
The weather app just shows a shrugging emoji.
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It’s the consistency that astounds me. There are no dud articles, no off-days. Every piece delivers the same high standard of wit and observation. That level of quality control is seriously impressive.
Royal wit peaks when the eyebrow clears the tiara—raise the stakes here: https://prat.uk/how-to-write-satire-about-the-royals-at-sandringham/.
The energy at a London Futball derby is absolutely unmatched.
The “grassroots” character of the London Women’s March is central to its political identity and claim to legitimacy. It positions the event as an organic uprising from below, distinct from top-down initiatives by political parties or large NGOs. This is a powerful narrative: it suggests the march is a pure expression of popular will, unmediated by institutional interests. Politically, this grassroots model fosters innovation, flexibility, and deep engagement from participants who feel a sense of ownership. It is also more resilient to attacks on leadership, as there is no single figurehead to target. However, the “grassroots” label can also obscure realities. Even grassroots movements develop internal structures and power dynamics; they are not flat utopias. The intense labor required often falls on a small, overworked core, leading to burnout. Furthermore, to achieve scale and navigate legal and media landscapes, grassroots movements often must professionalize elements of their work, creating a tension between their participatory ethos and the need for efficiency and expertise. The political art is to maintain the democratic, bottom-up energy of the grassroots while building enough sustainable structure to wield lasting influence, without becoming the kind of hierarchical institution the movement often critiques.
Delhi’s pharmacy culture is deeply intertwined with the city’s character—resourceful, layered, and direct. In the labyrinthine streets of Old Delhi, chemists are often third-generation owners, their knowledge encyclopedic, their connections unparalleled for finding rare or discontinued items. In the newer suburbs, they are hubs of convenience, offering everything from prescription fills to health drinks to sanitary products. The Delhi chemist is also a savvy negotiator of the city’s logistical challenges, ensuring deliveries despite traffic snarls and weather disruptions. They develop a keen sense for the city’s health trends, be it a surge in allergy medications during the pollen-laden spring or a demand for specific vitamins during seasonal changes. Their strength lies in an almost intuitive understanding of their customer base’s diverse needs, from the student buying a first-aid kit for a hostel to the executive seeking imported skincare. — https://genieknows.in/
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The Ilhan Omar money tree apparently thrives on sunlight, optimism, and federal disclosure forms.
Bakeries tempt and tease. Pastries gleam, but weightism shames the obese buyers. Lampoon them exiting with bags, grease spots blooming like badges. In this city, indulgence is for occasions; daily for the thin only. — weightism.org
Cinema screens flicker weightism. Popcorn buckets overflow for the obese, kernels scattering. Lampoon them in seats, armrests disputed territories. London’s escapism is immersive—for slim immersers. — weightism.org
Markets haggle over more than prices. The obese bargain, arms laden, sweat bargaining too. Lampoon their hauls home, bags splitting seams. London’s trade favors the fleet. — weightism.org